Reinholt Consulting

Cultural planning and community development services in Maine and New England

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Building Blocks of a Creative Economy

Creative People These are the producers of the creative economy and include entrepreneurs, scientists, academics, and employees of creative sector industries such as design companies and technology firms.

Centers of Education Schools, even at the K-12 level, contribute to the creative economy by providing workforce training or the foundation for it. Colleges and universities fulfill the sector’s research and development needs, attract creative people, and serve as the centers where creative people convene.

Cultural & Natural Amenities Cultural amenities include the local art and music scene, historic districts and buildings, arts and cultural institutions, restaurants, and cultural events and festivals. Amenities based on the natural environment such as hike/bike paths, public waterfronts, park systems, and facilities for outdoor sports functions are equally important. Especially in rural areas, it may be the remote and pristine setting itself which draws people to that place.

Business Engagement Support of the creative economy by businesses, whether or not they are part of the creative sector, is important. In rural locations where the local economy has a small business base, a single company can give local development a big leg up.

Infrastructure Infrastructure is the basic service framework that makes it possible to support not only the creative economy’s suppliers but also the tourists, retirees, and consumers of its product. Convenient access to transportation networks and communication systems, including Internet access, is part of an area’s infrastructure. So, too, are affordable housing, hotel/motel accommodations, hospitals, and public safety services.

Networks Communications among important actors on a face-to-face basis are critical. Networks may be formal or informal but must transcend the public, private, and nonprofit sectors to be effective. Examples include Chambers of Commerce, trade associations, art councils, government agencies, and stakeholder groups from across sectors gathered together for a project.

Strategies These are purposeful plans or schemes developed by a community to stimulate creative economy growth and apply scarce resources to this end in a purposeful and systematic manner. They may include policies and programs such as tax credits, affordable housing, workforce training, and/or other actions, decisions, and resource allocations to advance the goal.

Leadership The initial seed for developing creative assets comes from the vision and commitment of either a single person or group of people. Continuing leadership over an extended period of time is necessary to ensure that initiatives maintained their momentum.

Money Whether from government grants, private philanthropy, or local fundraising, the higher the level of financial resources the faster the pace in developing a creative economy strategy, and on a grander scale than places with lower levels.

Time Building a creative economy takes time. In the absence of money, voluntary or in-kind resources may go a long way but can take the process only so far. Even with strong financial investment, persistence over time is a necessary component.

Cultural Planning

Cultural planning provides a catalyst for the creativity that lies within every community. For years it’s been argued that the value of arts and cultural assets extends beyond the intrinsic and aesthetic. Until recently, the ability to define the value brought to communities through the presence of arts and cultural assets was limited by the lack of sufficient data available to support what many knew to be true; that not only do arts and cultural assets add to our overall enjoyment and quality of life, these assets also add significantly to the economy and serve as a powerful tool for community and economic development.

Over time, those keen on cultivating the benefits brought to communities by the presence of arts and culture worked to define what many refer to as the ‘creative economy’. Communities now have access to a growing body of data to support local, regional, and statewide planning initiatives aimed at cultivating the creative economy.

Much like land use planning serves as tool for municipalities and regional planning entities to help communities guide future development based on a community’s priorities and values, cultural planning serves as a tool for communities to develop and implement strategies to support a growing creative economy.

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